Exam 9: The Julio-Claudian Dynasty

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Tiberian sculpture maintained the Classi...

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A) These representations revived many of the virtues depicted in Republican portraiture.
B) These representations served as cult statues for the Capitolium in Rome.
C) These representations suggested that the emperor ruled the earth as Jupiter ruled the sky.
D) These representations encouraged imperial cult worship in Rome.

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A) the use of a toga to represent political and social status
B) the idealized, youthful facial features
C) the avoidance of representation in the guise of a deity
D) the heroically nude body combined with an older head

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A) Its size and expense put the city into a major financial crisis.
B) It was located far away from the city of Rome.
C) It was located on prime real estate in the heart of Rome.
D) It caused significant damage to major public buildings nearby.

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The Boscoreale Cups are a set of ancient...

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A) plaques commemorating the manumission of a slave.
B) imperial gifts for officials and dignitaries.
C) public displays of the imperial triumphs.
D) votive objects to be used in imperial cult worship.

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A) a victory of Augustus and Tiberius's role in the triumph.
B) Tiberius's succession and deification of Augustus.
C) Tiberius's consecration of a temple dedicated to Augustus.
D) a victory of Tiberius and his status as divi filius.

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A) His portraits are difficult to identify because of their similarity to Republican portraits.
B) Many of his portraits were destroyed in the fire of Rome that occurred during Nero's reign.
C) He ruled only briefly before he was assassinated and many of his portraits were destroyed.
D) He did not commission very many portraits, instead spending the money on lavish architectural projects.

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During Nero's reign, there were several ...

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A) he wanted to distinguish carefully his own sacrifice from that of Augustus's.
B) it was an occasion during which Augustus and Tiberius appeared in public as equals.
C) it was the event during which Augustus adopted Tiberius and legitimized his succession.
D) it was a way of depicting the apotheosis of Augustus performed at the beginning of Tiberius's rule.

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Tiberius's portraits and those of August...

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The Fourth Style of Roman mural painting, also known as the architectural style, emerged during the late 1st century BC and continued into the 2nd century AD. This style is characterized by a combination of architectural elements, such as columns, pediments, and other architectural details, with figural and ornamental motifs. In contrast to earlier mural painting styles, such as the First, Second, and Third Styles, the Fourth Style represents a departure from the strict adherence to architectural elements and perspective. The earlier styles focused on creating the illusion of three-dimensional space and architectural elements, often using trompe l'oeil techniques to create realistic scenes. The Fourth Style, on the other hand, incorporates a more eclectic approach, combining elements from earlier styles with a greater emphasis on decorative motifs and a more complex, layered composition. This style also incorporates a wider range of subject matter, including mythological scenes, landscapes, and still-life elements, reflecting a shift towards a more decorative and ornamental approach to mural painting. Overall, the Fourth Style of Roman mural painting represents a departure from the earlier styles in its emphasis on decorative elements, complex composition, and a more eclectic approach to subject matter. It marks a shift towards a more ornamental and decorative style, reflecting the changing tastes and artistic trends of the time.

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Nero's portraits underwent significant changes throughout his reign, reflecting both his own personal image and the political climate of the time. In the early years of his reign, Nero's portraits depicted him as a young and idealized ruler, with a focus on his youth and strength. However, as his reign progressed and his rule became more controversial, his portraits began to show signs of aging and weariness, possibly reflecting the toll that his political struggles and personal excesses were taking on him. One possible reason for these changes in Nero's portraits is the shifting political dynamics of his reign. As Nero's rule became more unstable and his public image suffered, his portraits may have been altered to reflect a more mature and serious image in an attempt to regain public favor. Additionally, as Nero's rule became more tyrannical and oppressive, his portraits may have been altered to convey a sense of authority and power in an effort to maintain control over the population. Another possible reason for the changing appearance of Nero's portraits is the influence of artistic trends and techniques of the time. As the Roman Empire transitioned from the Julio-Claudian period to the Flavian period, artistic styles and preferences evolved, which may have influenced the portrayal of Nero in his portraits. Overall, the changing appearance of Nero's portraits can be attributed to a combination of political and artistic factors, reflecting both his personal image and the broader historical context of his reign.

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The Porta Maggiore is a monumental ancie...

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A) First Style
B) Second Style
C) Third Style
D) Fourth Style

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